Leisure and Pleasure ~

Until the middle of the 19th century Dalton was just a small country town, and it would have been surprising indeed if country sports had not figured prominently in the leisure pursuits of its inhabitants. In this context mention must be made of the Dalton Hunt2 which began sometime in the 17th century and developed into an event of major local importance, being attended by members of the nobility and gentry from far and wide. At the beginning of the 18th century it was known as the Dalton Route, and consisted of fox hunting during the day, followed by an elegant ball in the evening. A quaint but perhaps rather repulsive ritual formed a traditional part of the evening's festivities - the recently severed head of the fox was dipped into a bowl of punch and stirred round once or twice before anyone partook of it. For some reason now unknown it was discontinued at Dalton in the middle of the 18th century and transferred to Ulverston13. This change apparently did not last very long; it received an indifferent reception at Ulverston and was duly brought back to Dalton, where it survived until the year 1789. This description of the Hunt is taken from Baines's Lancashire. 'The country is peculiarly adapted to the sports of the field, and till of late years there was an annual festival called the Dalton Hunt, in which the gentlemen of the district partook of this favourite diversion by day, and joined the ladies in the ball-room at night. A suite of rooms was erected in the town and handsomely fitted up for this annual jubilee, which existed as early as the year 1703, as appeared from the columns of the London Gazette, in which it is styled the Dalton Route, and the pen of an elegant contributor to the Tatler has imparted to it additional celebrity. To the regret of the Beaux and Belles of the neighbourhood, the Route was discontinued in the year 1789, and has never since been revived'.

The above-mentioned reference to the article in London Gazette is not accurate. The actual advertisement which appeared in the issue dated August 23 - 26, 1703, was worded as follows: 'The Yearly Fox and Hare Hunting, famous by the Name of the Dalton Rant [sic], discontinued for some years is, by the entitlement of the Counties of Lancaster, Cumberland, and Westmorland, agreed to be revived, and begin at Dalton in Furness on Monday the 25th October to continue for 10 days'.

While some people derived pleasure from killing hares and foxes, others used their leisure moments in a more creative way. Young George Romney2, who was destined to become Dalton's most famous son, devoted much of his spare time to science, music and literature; but it was his natural talent for drawing and painting that was ultimately to bring him worldwide recognition as the last of the fashionable 18th-century portrait painters. He was born at Beckside, Dalton, on 15 December 1734, one of a family of 10 sons and one daughter, of which all the sons died before reaching middle-age with the exception of George and James, who eventually became a lieutenant-colonel in the Honourable East India Company's Service.

Portrait of George Romney.
Portrait of George Romney
 

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As a boy, George was sent along with his brother, William, to a school3 at the nearby village of Dendron, where the master, the Rev. Mr. Fell, agreed to teach him the humanities for 5s. 0d. a quarter. He was not a good scholar however, and preferred to spend his time copying, and colouring in crayons the pictures and drawings taken from periodicals and books. When he was 11, he left school and went to work for his father who now lived in a cottage at High Cocken, which he had purchased in 1742 and was situated in another part of the parish of Dalton. George remained here for 10 years, helping his father in his business. Not a lot is known about George's life at this time, but it was in this period that indications of his artistic abilities started to emerge. This fact was commented upon by the dramatist, Richard Cumberland, writing about Romney3 in the European Magazine in June 1803:

    When Mr. Romney has been asked how he first conceived the ambition of becoming a painter, when he had never had the opportunity to contemplate the picture of anything in creation beyond that of the Red Lion at Dalton; he explained himself by ascribing his impulses to the opportunities that were thrown in his way by the favour of a labouring man who assisted his father in his husbandry. This labourer being a person of more than common curiosity, put himself to the expense of taking in a monthly Magazine; which besides all the treasures of information and amusement which its miscellanies contained, was enriched with prints, explanatory of the topics that were handled in the work. When the owner had gratified his curiosity, it was his custom to lend his Magazine to his friend George, who neglecting all baser matters, fell to copying the engravings…

For a period at least, much of his leisure time was spent in the company of a man called Williamson1 who lived in Dalton. Williamson, a watchmaker by trade, and 'the general sage and universal referee of the village', had a profound effect on Romney. He taught him to play the violin, and introduced him to the use of the camera obscura. Possibly the greatest influence on the impressionable young Romney4 was Williamson's interest in alchemy. According to an anonymous author writing in George Romney, an undated booklet published by Waddingtons, 'Young Romney was this man's almost constant companion; with him he fiddled, planned, drew, and moreover dipped into the mysterious science of the transmutation of metals. Nor were they idle dreamers, who only sat and amused themselves with strange imaginings; they had a furnace and crucibles, if not all the apparatus with which tradition or history sets up the alchemist. Time, labour, and money were expended in such pursuits, and preparations were made for one grand and crowning experiment which was expected to end in a shower of gold. As the hour drew nigh, the anxiety of the alchemist increased; the fire which had been kept burning for nine months showed flame of a promising colour - the contents of the crucibles assumed a yellowish hue - and the projector saw in imagination riches rivalling the dreams of Sir Epicure Mammon. It seems his wife, on that fated day, was entertaining a select coterie of gossips, and knowing that workers in fire loved to taste the cup, summoned her husband to make merry. Romney in relating the story, said: "Now Williamson in vain represented that the moment of fate was at hand; his wife's entreaties or remonstrances prevailed; and as he took his seat and drank, his furnace, with all that it contained, blew up"'. The effect of this disaster upon Williamson may well be imagined. His rage and anger knew no bounds, and he blamed his interfering wife for the utter and complete ruination of his life's greatest ambition. He refused to be consoled, and left his home and his wife and finished up living with another woman.

There can be no doubt that his association with Williamson2 had a deep and profound effect on Romney5, for his memories of these, and other happy events from his youth lingered long in his memory. In his later years, when he had achieved almost every ambition he had ever possessed, he remembered Williamson's tragedy and determined to paint a series of pictures depicting the various stages of an alchemist's work, ending, as it did with his friend, in a violent explosion. Unfortunately, this ambition never materialised beyond the stage of a few tentative sketches.

Romney's6 talents might never have been realised had it not been for a certain Mrs. Gardner of Kendal, who was greatly impressed by some specimens of his work which she saw while visiting his father's house. She suggested that he should do a drawing of her, which he did, and which was probably his first attempt at portraiture. The comments of this lady, and from other people, helped in persuading his father to have George apprenticed to a painter called Steele who was then living at Kendal. The indenture was duly completed and signed, and George began his professional training, which according to the terms of the contract was to last for a period of four years, but which, in fact, was terminated sooner than this because he was reluctant to accompany his master to Ireland.

While living at Kendal, he had married a young lady called Mary Abbot, and this is one reason why he did not wish to accompany Steele on his travels. It soon became obvious to him, however, that if he was to progress further in his career, travel he must, and London was the obvious choice. So on 14 March 1762, he bade farewell to his wife, gave her £30, and, accompanied by two other gentlemen from Kendal he started out on horseback for London, arriving there on 21 March. Although Romney7 contended that by moving to London he would be better able to support his wife and two young children, this desertion of his family represents a serious blemish in the character of the artist. Even the death of his daughter at the age of three, about a year after he left Kendal, failed to persuade him to return to his wife. In fact, during the whole of his sojourn in London, Paris and Rome, a period of 37 years, he paid only two brief visits to his faithful and devoted wife.

It is well known that during this period he acquired wealth and fame; but, as he grew older, his mental and physical condition started to deteriorate. In the summer of 1799, broken in body and spirit, he left his home and studio at Hampstead and took the northern coach to Kendal. His wife, as loving and affectionate as ever, received him into her home and tenderly nursed him during the last few months of his life. His brother, Colonel Romney, arrived from the East Indies to see George, and found him so weakened in body and mind that the artist could barely remember him. 'Brother', said Colonel Romney, 'do you not know me:' Romney8 looked into his face, and burst into an agony of tears. He spoke a few words of recognition, and then forever forgot him and all else that he loved in the world. He then sunk into a state of hopeless imbecility, which lasted without pain or consciousness until 15 November 1802, when he quietly passed away.

His son John decided that his father ought to be buried with his ancestors at Dalton, and that a monument should be erected to his memory in Dalton parish church6. When it was finished, the monument was taken to Dalton, but Lord George Cavendish, the lay-rector, refused to allow it to be erected in the church and it was eventually taken back to Kendal and placed in the church there. For many years, his grave stood in a dilapidated and neglected condition in Dalton churchyard2, but now, as part of the building programme for the extension to the church, it has been restored to something like its former state of respectability.

Romney's Grave after Restoration.
Romney's Grave after Restoration
 

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* * *
 
 
On Saturday 12 May 1764, 17 men of Dalton and district met in the house of Thomas Taylor, at the sign of the The White Horse, and drew up 'the Rules and Directions concerning Dalton's Club' which was, and later became known as 'Dalton Book Club2', the members of which have met every month since that date over the past 236 years. There were many book clubs founded in this area in the late 18th and early 19th centuries, but so far as is known, Dalton Book Club is the only one still functioning, and is believed to be unique inasmuch as its records have been preserved almost in their entirety.

The 17 rules covered the whole conduct of the Club and the members signed their names to a declaration that they would form the Club for a period of one year and observe the rules. It follows then that in May each year the club comes to an end, and it then re-forms at each annual meeting for a further period of one year. In the year 1764 27 books were purchased at a cost of £4 8s. 6d. plus a 'Catalogue of Books for 60 years past' which cost a further 6d. The books consisted of lives of prominent people, travels, and the Annual Register for 1763. The secretary kept a register which contained much information of great interest to the present-day historian. In addition to the list of books purchased there was a page listing the names of the members, and against each name was recorded, month by month, a note of the books issued to them. This practice still continues. Then on the following page is a list of the fines levied during the year, and finally particulars of the sale by auction of the books and the prices realised. In the early days the whole of the books were sold at the end of the Club year, and then a new batch was purchased. Nowadays about 30 books are auctioned off each half year and about 80 or 90 books are always available for borrowing.

In the early years most of the fines were as a result of members not bringing in their books but many fines were imposed on members for ill-using books, such as '… writing on the fly-leaf (2d.), dropping a sort of red dirt in several places (6d.) and drops of soot at the edge of the leaves (2d.) …'. The fines were added to the amount realised by the sale of books, and this paid for the drinks of the members, 8d. being an average price in those days for one gallon of ale. The books purchased during the latter part of the 18th century consisted of essays, memoirs, travels, poetry, histories and sermons, and each year the Annual Register was purchased. There were very few novels and to judge from the titles the books made pretty heavy reading. Between 1764 and 1778 the yearly number of books purchased varied between 27 and 45 but by 1800 up to 100 books a year were being bought.

The last 100 years have seen the era of the modern novel and the prolific novelist. The books now offered to the members consist of about half and half novels and a miscellany of what the libraries term 'non-fiction'. Because of the steep increase in the price of hardback books there is now included a fair proportion of paperbacks. The records of members, books issued and other information have throughout the years been kept in registers, each of which has lasted about twenty years. One register covering the period 1898 to 1921 is missing, but all the others have been preserved and are kept in safe custody in the bank. The current register not only contains the present business of the Club but also an alphabetical record of all known past and present members, so far as the missing 1898-1921 register will permit. From 1764 to 1898 there had been 340 members, by 1921 the number was estimated at 375 and the total today, including present members, is 467.

During the whole life of the Club, meetings have been held in licensed premises. At first they were held in The White Horse, and about 1804 the venue was changed to the Cavendish Arms. In 1897 a move was made to the Wellington, and in 1950 to the Conservative Club1. In 1977 the venue was changed to the Railway Hotel. Originally the meetings were held on the second Saturday in the month (Saturday being market9 day), but meetings are now held on the fourth Wednesday in the month. On Wednesday 22 June 1983, the meeting place was changed once again, this time to the Green Goose Guest House. Later the Club moved back to the Railway Hotel, from where the threat of imminent closure necessitated yet another move. In March 2000, the Club started meeting once again in the Conservative Club.

* * *

Before it was made illegal in 1835, cockfighting was a popular diversion for many, and there were two cockpits2 in Dalton at the beginning of the 19th century. One of them was in the vicar's4 garden, which today may seem rather strange, but was not so in those days when it was quite common for the clergy to indulge in this particular pastime. The other one is shown on Merryweather's6 Map at the foot of Dovecote Lane (Cemetery Hill). Although nothing is now known about what went on in the early days of cockfighting in Dalton, we do have some knowledge of the rules adopted more recently. This information was discovered among some old papers belonging to Mr. W. Massicks of Dalton, who died about 1930, and consists of a set of rules for the conduct of a main, and a model agreement between the contending parties. This information is believed to be unique.

    The laws of fighting put shortly, are as follows: The setters having put down cocks six feet apart, kept back and were not allowed to take up their bird, unless one cock were fast in the other or in the pit or hung in himself, in which case they might be handled and brought to the centre of the pit. If the bird was thrown on his back, it was lawful to turn him over only, but removing feathers from the back or eyes was not generally allowed. If from blindness or any cause the cocks cease to fight the law is told, that is, twice twenty is counted when they are handled and set again. This telling the law is repeated as long as both cocks fight, but ten only is counted at each interval after they have been put together. Either ceasing to peck is 'told' by a person counting twice twenty. They are then breasted, beak to beak, and if he still refuses ten is counted, announced, and so on loses. This is the 'long law'. Should both be disabled and refuse to fight before the long law begins, it is a drawn battle. Should both refuse to fight before the long law begins, it is a drawn battle. Should both refuse fighting during the counting the winner is the cock which fought last. But should he die before the counting is finished, he loses the battle, notwithstanding the other did not fight within the law. The short law is told by a person counting audibly twice twenty and afterwards asking three times: 'Will anyone take it?' If no one accepts the cock is beaten. If, however, it is desired to stop the counting out, the cock may be in the language of the pit, grounded, when he must fight till death, and sometimes unexpectedly recovers and wins.

* * *
 
 
Dalton Theatre Programme.
A Dalton Theatre Programme
 

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From time to time Dalton was visited by various groups of touring entertainers - theatre, circuses, fairs1 etc. In William Fleming's3 diary for Tuesday 14 October 1806 we find: 'A company of Players at the White Horse Inn, Dalton, consisting of 7 0r 8 performers, the theatre a hay loft over the stable and the price of tickets for admittance Pit One Shilling, Gallery 6d.' This appears to be the earliest reference to theatre at Dalton. There was another theatrical performance in 1808, when the play 'The Irish Widow' was presented in 'Theatre Dalton' - quite possible the same hayloft. Later, the Co-operative hall was used almost exclusively for all kinds of dramatic and musical performances.

On 1 September 1865, Sanger's circus came to the town and staged a grand procession one mile long. One surprising result of this was that many schoolchildren fell sick that day: the Boys' national School4 at least, gave up in despair and declared a day's holiday. On 6 June 1871, it was Dalton Fair2 Day and once again the schoolchildren deserted the classrooms. This time a holiday was not allowed, instead, the headmaster 'went with a staff of big boys and teachers and captured about fifty and marched them off to school'.

* * *
 
  
19th c. Tradesmen's Handbills (1).
19th c. Tradesmen's Handbills (1)
 

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19th c. Tradesmen's Handbills (2).
19th c. Tradesmen's Handbills (2)
 

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* * *

The simple act of thwacking a ball or similar missile with a stick and thus projecting it for a considerable distance at high speed, has been an eternal source of secret, boyish pleasure for many grown men, and was no doubt the seed from which the ancient game of 'Spell and Knurr' originally grew. This game was taken very seriously in Dalton and was played for many years on Storey Square.
Cricket clubs1 were formed in both Barrow18 and Dalton in 1850. What was probably the first truly competitive cricket match in Furness took place in the same year, when the Barrow club challenged Dalton to play for a new ball. The following account of this match is taken from Soulby's Ulverston14 Advertiser, 22 August 1850:

    On Saturday afternoon last, Dalton was enlivened by a cricket match between the Dalton and Barrow19 clubs. Both clubs are in the first year of their existence, and more than two thirds of the players never handled a bat before this year, and not more than two or three were ever in a match. The later club made such good use of their time and ground, and attained so much proficiency in this noble and manly game, that they forwarded a challenge to the former to play them on their own ground for a new ball. That very respectable person, 'the oldest inhabitant' never heard of the game before the present summer and it was so new to the generality of the residents in the district, that a large concourse, including a fair sprinkling of the blooming flowers of Furness, was attracted to the ground (a large meadow at Crooklands3, adjoining the railway), as much to see what the game was like as to see that match. The umpires were Messrs. Park and Poole, whose decisions gave universal satisfaction. The scrorers Messrs. Matthews and T. Butler. The wickets were pitched at two o'clock, and Barrow having won the toss, sent their opponents in. The score was as follows:

Dalton

1st Innings
2nd Innings
Fearon
b.J. Wilson
10
b.J. Wilson
0
Cross
b. Brighton
12
b. Wilson
8
Boulton
b.J. Wilson
8
b. Wilson
0
Butler
b. Brighton
0
b. Brighton
5
Slee
b.J. Wilson
2
b. Brighton
4
Slater
b. Brighton
1
l.b.w.
16
Davis jnr
Not out
3
c. and
b.J. Wilson
5
Whiteside
c. J. Wilson
b. Brighton
0
Not out
3
Fox
b. Arlson
0
b. Brighton
2
Ashburner
b. Brighton
1
c. Ordley
b. Postlethwaite
3
Fenton
Stumped out
3
c. and
b. J. Wilson
0
Wide
1
Byes
2
41
48

Barrow

1st Innings
2nd Innings
Kendall
b. Butler
0
c. and
b. Butler
22
Bolton
b. Butler
2
c. Butler
b. Cross
1
Wilson (J.)
b. Cross
1
b. Cross
4
Ordley
b. Cross
8
c. Cross
3
Brighton
c. and
b. Butler
0
c. Cross
b. Butler
1
Postlethwaite
b. Cross
0
b. Butler
0
Wilson (W.)
Run out
2
b. Cross
0
Wilson (S.)
c. Butler
b. Cross
0
c. Davis
b. Cross
0
Huddleston
c. Fenton
b. Butler
5
Not out
4
Aird
Not out
1
c. Cross
by Butler
4
Wide 1; Bye 1
2
Byes
2
21
41

Dalton consequently winning by 27 runs.

It is interesting to note the low scores and also that this game was apparently played on the ground which was eventually to become the permanent home of cricket in Dalton, although for many years the club experienced great difficulty in obtaining the use of a suitable field and could hardly function at all. By 1883, the club had virtually creased to exist through lack of playing field. In October 1884 the Dalton News reported that 'At a general meeting last Tuesday, presided over by Mr. G. B. Ashburner, it was decided that a field called 'Hagg's Bottom' be prepared for next year's play. This ground was used many years ago for cricket, is very pleasantly situated, and would doubtless prove a much more attractive ground … than any other field in the town…'.

In 1891, the club returned to its former ground at Crooklands4, and the following year, along with clubs from Barrow20, Kendal, Lancaster, Millom, Ulverston15 and Whitehaven was a founder member of the North Lancashire and District Cricket League. At about the turn of the century however, the club were experiencing severe financial difficulties, and in 1903 it became necessary to cancel all the first team's fixtures. In view of this it seems rather surprising to learn that in April of the same year, they offered to assist in the formation of a tennis club, by laying down four courts to be maintained by the cricket club2 professional at a cost of £7 10s. for the season. (A lawn tennis club had existed in the town as early as 1890).

Towards the end of the 19th century there were a number of rugby1 clubs in the town with names like Dalton White Rose, Lillywhites, White Star, Rangers etc. In 1884, a meeting was held in the Railway Hotel, presided over by Dr. Patterson, with representatives of all these clubs attending. The object of this meeting was to amalgamate all the smaller clubs into one club which would be known as the Dalton Town Football Club. Although this was unanimously agreed at the meeting, something must have happened to prevent the formation of the new team, for six years later in April 1890, it appears from reports in Dalton News that Dr. Patterson called another meeting for exactly the same purpose. In August 1890, a general meeting of the newly-formed Dalton Town Football Club was held and Mr. R. Todd was elected as captain of the first team, and Mr. G. Calligan as captain of the 'A' team. It was also resolved that the colours of the club be blue jerseys with a red sash over the right shoulder, and white drawers.

Meanwhile, probably about 1885, it seems that another club was formed. This was the Dalton Rugby2 Football Club; it played in a black and white strip and its home ground was probably Railway Meadow, although it seems certain that a field near Thornton Park, and another at St Thomas's valley, were also used for matches a different times. About 1905, they abandoned the Rugby Union and became the Dalton Amateur Rugby League Club.

* * *

The Dalton Eisteddfods1, the first to be held in Furness, were started in 1897 by the Congregationalist minister, the Rev. J. Williams. The programme consisted of competitive solo singing, impromptu speech making, reading at sight an unpunctuated passage, spontaneous answer of questions and an anthem competition for choirs. The following is a selection of some of the questions, with the correct answers, that the competitors in this particular section had to answer in the 1899 Eisteddfod: 'Have you ever seen half a pig's head with two eyes?... Yes. With my own two eyes.' 'What noise annoys an oyster most?… Any noise annoys an oyster, but a noisy noise annoys an oyster most.' 'Which is easier to spell, fiddle-de-de, or fiddle-de-dum?… The former because it is spelt with more ease(e's).' The subject for the impromptu speech was, 'What would you do if you were left with a cross baby?' According to the local press, the efforts of the competitors provided endless amusement. There were twelve entries in the unpuncuated reading competition, part of which read as follows: '… in this district I advertised for a wife in the Co-op journal we get some tasty bits my sweetheart has got one eye at the back of his head is a large bump he wears a watch chain under his arm he carriers a stick his nose is straight on the top of his head he has a curl we were married in a motor car I rode the other day two horses bolted the other day and fell into a perambulator…'.

For several years the Eisteddfod2 was a great success, always outshining the Ulverston16 one, which started with great difficulty in 1899. Gradually, however, its popularity declined, probably because no-one could be found to take the place of its founder, who it seems wanted to hand over the responsibility of organising the event to a civic committee.

The period 1870 - 1910 saw the birth of many clubs, societies2, associations etc. in the town. Some of them existed for only a short time, but others flourished and survived for many years. In The Lake Counties (by J. D. Marshall and J. K. Walton) it is mentioned that in 1909 there were in Dalton two political clubs, nine sports clubs, and 17 or 18 other clubs. The existence of so many, and such varied activities in such a small town is quite remarkable, and can perhaps be construed as reflecting the overpowering need for leisure activities to contrast with, and relieve the tedium of an otherwise hard life.

The political clubs referred to were the Conservative Club2, which was opened in the presence of a large gathering, on Saturday, 19 March 1887, and the Liberal Club, which opened its premises in Hall Street on 8 January 1897. The latter remained active until about 1947, when the premises were purchased by the Baldwin Masonic Hall Company Ltd. The Conservative Club was originally situated in Station Road, in the premises now occupied by a shop called 'By The Fire'. The opening ceremony was performed by Mr. W. G. Ainslie, M.P., and Mr. Edward Wadham3 and Mr. Godby were elected as chairman and secretary respectively. In 1914, the club moved to its present premises at the corner of Station Road and Beckside Lane.

Apart from these two political clubs, Dalton, in the mid-19th and early-20th centuries could boast a proliferation of clubs and societies. It seems that a club existed to satisfy the demands of a wide range of interests from Morris Tube Rifle Shooting, via pigeons, music, dramatics and many others to a Shorthand Writers Association. There were at least twenty one of these clubs, and almost all of them have now disappeared. Most recently, it was the members of the Dalton Bone Club who met for the last time before a shortage of younger members forced them to call it a day. This final meeting took place on 30th April, 1998 after the club had existed for over 130 years.

Formed at a public meeting held in the George and Dragon on Saturday, 27th July, 1861 as the Dalton Surgical Aid Society, the Society's aim was to assist injured members to receive free, skilled medical attention in return for a small, regular payment. This treatment mainly involved the setting of broken bones, and it is rather surprising to relate that the secretary was instructed to write to a Mr. Dennison, a bone-setter from Penrith, to ask him to give a quotation for travelling to Dalton for this purpose. His reply stated that: "...for one journey only, £4, but if a case requires more than one journey, £3 for the first, and £2 for subsequent visits..." It seems extraordinary that it was necessary to look as far afield as Penrith, a good fifty miles distant, to find someone capable of satisfying the society's requirements.

The George and Dragon
The George and Dragon
 

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The George and Dragon: birthplace of the Bone Club.


By about 1870, the musical scene in Dalton seems to have been rich and varied with an incredible number of bands2, orchestras, choirs and minstrel troupes all drawing on the same reservoir of talent. Of the bands in the town at this time, the names alone are worth recording. They included: The Scrap Band, The Volunteer Band, The Flute Band, The Bread and Treacle Band, Park Mines Band and several others. The story of the bands in Dalton at this time is complicated, fascinating, and at times very humorous, and would be an excellent subject for further research. Here we can do no more than give a brief outline.

The constantly changing pattern of the Dalton band3 scene makes it difficult to pin-point the precise beginning of the Town Band, but it seems to have been about 1870. From newspaper reports and a short anonymous chronicle in the town band's record book, it appears that in 1894, the two principal bands were the town band and the Salvation Army band, and that the Salvation Army band under the able leadership of Bandmaster Jim Coward who later emigrated to South Africa and became Mayor of Germiston in the Transvaal, was the more successful of the two. It included in its ranks several fine musicians; among them were Albert and Herbert Williams, brothers of Sir Thomas Melling-Williams, later according to an undated cutting from the Dalton News, of the British Air Command.

In January 1897 the annual meeting of the town band4 was held at the Wellington Hotel, and the following officers were elected: Mr. T. Deason as chairman; Mr. R. Atkinson as treasurer; Mr. W. Boundy as secretary; and Mr. H Baker as conductor. Very soon after this meeting had taken place, there was some disagreement among the members of the band, and, whatever the cause may have been, it was serious enough to make some of them terminate their association with the town band and start a band of their own. This was officially formed as the Amateur Brass Band at a meeting held in the Wellington Hotel in March 1897. Mr. H. Baker was appointed as conductor of the new band which survived for many years, and frequently performed at concerts, parades, etc.

Bob Atkinson remained loyal to the town band5, and in the succeeding years established his reputation as a solo euphonium player. His fame spread rapidly, and it was not long before many of the leading bands of Lancashire and Yorkshire started making him tempting offers for his services. A well-known band of the time 'Besses o' th' Barn', almost succeeded in clinching the deal, but they never knew that his final refusal of their offer depended entirely on the toss of a coin.

One result of the difference of opinion between the two factions was that the town band6 was left in a sadly depleted condition and without a conductor. Fortunately for them, it was only a matter of a few weeks before they acquired the services of Mr. John H. Carter of Roose, a man who was destined to lead the band to a greater glory than they had ever known before. Under his inspired leadership, they entered and won competitions, and became known as the Dalton Town Prize Band. Mr. Carter resigned as conductor on 2 April 1913, and his place was taken by Mr. Atkinson, who because of ill health was unable to join the army when war broke out the following year. This, together with the fact that many of the members of the band were miners, who were exempt from military service and not required to work weekends, meant that during the war years Bob's Band, as it became known, was the only one in Furness that could meet and practise regularly. It was in constant demand to play at concerts, galas, etc., and raised a great deal of money for the war effort and charity.

Moving forward many years from the time of the First World War to the latter part of the century, the Dalton Town Band7 was once again in a state of decline. Numbers had dwindled alarmingly after the departure of its popular and successful conductor, Alan Fitzsimmons. Having sold their bandroom, the band then faced a dismal future without a home, players or conductor. Consequently as a result of hard work and determination by Sheana Bark and others, it rebuilt itself from the bottom up by starting a learners' class for children. The success of this was due in no small measure to the help given by a man with an undisputed reputation as one of the best brass band teachers in the North West - the late Mr. Norman Martin of Lindal8. In 1993, ex-army bandsman, Bernard Northwood L.T.C.L., N.A.B.B.C., took over leadership of the band, and aided by an Arts Council Lottery Award for the purchase of new instruments in 1997, since then the standard of performance of the Dalton Town Band has steadily improved.

Dalton Town Band, 1990s.
Dalton Town Band, 1995
 

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Front row, left to right: Emma Martindale, Sheana Bark, Sarah Thompson, Bernard Northwood (conductor), Angela Parkes, Sarah Parkes and Amy Greenwood. Back row, left to right: Elaine Lovidge, Eric Harlock, Ian Bird, Derek Johnston, Ray McIlroy, Bob Brown (chairman) and Hazel Parkes.



Next Part: (The Emergence of the Modern Town):- 'Religion and Education'